Lighthouse
Family Retreat
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“TOGETHER WE FLY”
For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good. We’ve always got a record on in the studio.
Not smooth jazz. Old jazz. Timeless jazz. For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good.
For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good. We’ve always got a record on in the studio. Not smooth jazz. Old jazz. Timeless jazz. For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good.
"HOLD FAST HOPE"
Lighthouse Family Retreat is a faith-based non-profit that exists to strengthen every family living through childhood cancer. By hosting restorative retreats and creating valuable resources, they help families and their support systems find hope in God and encouragement in their fight.
For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good. We’ve always got a record on in the studio. Not smooth jazz. Old jazz. Timeless jazz.
– Louis Armstrong
Most of our work was concerned with balancing an appropriate amount of substance with an appropriate amount of softness. In the logo, in the photography direction, in the color scheme – it all had to find this middle ground of being anchored, yet hopeful.
For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good. We’ve always got a record on in the studio. Not smooth jazz. Old jazz. Timeless jazz.
– Louis Armstrong
Most of our work was concerned with balancing an appropriate amount of substance with an appropriate amount of softness. In the logo, in the photography direction, in the color scheme – it all had to find this middle ground of being anchored, yet hopeful.
For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good. We’ve always got a record on in the studio. Not smooth jazz. Old jazz. Timeless jazz.
– Louis Armstrong
Most of our work was concerned with balancing an appropriate amount of substance with an appropriate amount of softness. In the logo, in the photography direction, in the color scheme – it all had to find this middle ground of being anchored, yet hopeful.
For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good. We’ve always got a record on in the studio. Not smooth jazz. Old jazz. Timeless jazz.
– Louis Armstrong
Inspired by lighthouse daymarks, we created a set a patterns and colors that could be mixed and matched to create a range of visual assets across the identity system.
For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good. We’ve always got a record on in the studio. Not smooth jazz. Old jazz. Timeless jazz.
– Louis Armstrong
Most of our work was concerned with balancing an appropriate amount of substance with an appropriate amount of softness. In the logo, in the photography direction, in the color scheme – it all had to find this middle ground of being anchored, yet hopeful.
For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good. We’ve always got a record on in the studio. Not smooth jazz. Old jazz. Timeless jazz.
– Louis Armstrong
Inspired by lighthouse daymarks, we created a set a patterns and colors that could be mixed and matched to create a range of visual assets across the identity system.
For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good. We’ve always got a record on in the studio. Not smooth jazz. Old jazz. Timeless jazz.
– Louis Armstrong
Most of our work was concerned with balancing an appropriate amount of substance with an appropriate amount of softness. In the logo, in the photography direction, in the color scheme – it all had to find this middle ground of being anchored, yet hopeful.
For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good. We’ve always got a record on in the studio. Not smooth jazz. Old jazz. Timeless jazz.
– Louis Armstrong
Inspired by lighthouse daymarks, we created a set a patterns and colors that could be mixed and matched to create a range of visual assets across the identity system.
For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good. We’ve always got a record on in the studio. Not smooth jazz. Old jazz. Timeless jazz.
– Louis Armstrong
Most of our work was concerned with balancing an appropriate amount of substance with an appropriate amount of softness. In the logo, in the photography direction, in the color scheme – it all had to find this middle ground of being anchored, yet hopeful.
For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good. We’ve always got a record on in the studio. Not smooth jazz. Old jazz. Timeless jazz.
– Louis Armstrong
Inspired by lighthouse daymarks, we created a set a patterns and colors that could be mixed and matched to create a range of visual assets across the identity system.
For us, it’s a metaphor for how we like to work. Part skill, part improvisation. Always paying attention. In the work. It doesn’t just look good, it feels good. We’ve always got a record on in the studio. Not smooth jazz. Old jazz. Timeless jazz.
– Louis Armstrong